When Hong Kong cinema finally reached Western audiences in the late eighties, its style was quickly and correctly categorized as a strictly commercial approach to filmmaking. Wong Kar Wai’s arrival changed everything. With the same visual tools that
When Hong Kong cinema finally reached Western audiences in the late eighties, its style was quickly and correctly categorized as a strictly commercial approach to filmmaking. Wong Kar Wai’s arrival changed everything. With the same visual tools that
When Hong Kong cinema finally reached Western audiences in the late eighties, its style was quickly and correctly categorized as a strictly commercial approach to filmmaking. Wong Kar Wai’s arrival changed everything. With the same visual tools that
When Hong Kong cinema finally reached Western audiences in the late eighties, its style was quickly and correctly categorized as a strictly commercial approach to filmmaking. Wong Kar Wai’s arrival changed everything. With the same visual tools that
When Hong Kong cinema finally reached Western audiences in the late eighties, its style was quickly and correctly categorized as a strictly commercial approach to filmmaking. Wong Kar Wai’s arrival changed everything. With the same visual tools that