femmedandy: Marlene Dietrich. Have I mentioned that I adore cravats? This frothy one is delightful: as masculine clothing, it can afford to be quite feminine and lacy because it is unmistakably a cravat.

femmedandy: Marlene Dietrich. Have I mentioned that I adore cravats? This frothy one is delightful: as masculine clothing, it can afford to be quite feminine and lacy because it is unmistakably a cravat.

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Femmedandy: It’s Been Some Time, Marlene, But Happily You Are Still In Every Conceivable Way Perfection.

Femmedandy: Once Again, Merle Oberon. The Costume Is Inaccessibly Perfect, Of Course, But Her Poise, Pose, And Expression Are The Standards By Which I Set My Dandies. From A Photoset I Saw On Fyandrogyny.

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Femmedandy: More Of The Tweed Run, My Aforementioned Land Of Milk And Honey (That Is, Tweed, Flasks, And Bicycles). The Leftmost Is The One To Take Note Of— Skillful Use Of Color &Amp;Amp; Theme. (The Center Is A Tad Staid, And The Right’s Falls Apart

Mylistofthangs: Secretary At West German Radio, Cologne, August Sander.

Calumet412: Cross-Dressing In The Dorms, University Of Chicago, 1921, Chicago.

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O Rany, Przecież To Czysta Doskonałość Jest!

Talitha Joy

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Pussylequeer: Ellen Von Unwerth

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